Dobrica Kamperelic’s reply to our projects: What is performance art? and Timeline of performance art

The performer becomes one with the artwork, exposes him/herself to the judgment of the audience, unprotected. The performer's fate is the fate of one's own artwork, the sacred moment of the ritual devoted to the transient; there and then or here and now...

Bbeyond performance, Titanic Belfast (April 2^nd, 2012)

Bbeyond artists and guests: Marilyn Arsem, Amy Brooks, Brian Connolly, Jayne Cherry, Felipe Faundez, Kris Gillen, Jennifer Hanley, Tony Hill, Sandra Johnston, James King, Paul King, Alastair MacLennan, Sinead O’Donnell, Rainer Pagel, Kasia Pagel, Caroline Pugh, Brian Patterson, Anne Quail, Pavana Reid, Elvira Santamaria Torres. Angela Halliday, Fiona Larkin, Emmanuelle Negre and Jordan Hutchings documented it.

Ronaldo Ruiz's reply to our project: Timeline of performance art

When I was in college, I have already been doing actions, but I didn’t know I was actually doing performance art. During the 1992 annual foundation day in my school, we took advantage of the event to hold something that would draw attention to our organization. I performed with mud covering my body the Ilocano traditional ritual for spiritual cleansing called atang. When the security guards saw the commotion and came to the rescue, the performance had to end and I ran to the university gym to clean up and change into normal clothes.

Viennese Actionism: the opposite pole to home improvement

The history of art is the history of how art is received. Susan Jarosi's article concerning "The image of the Artist in Performance Art" in the autumn edition 2011 of Sztuka i Dokumentacja (Art and Documentation) journal shows through the example of Rudolf Schwarzkogler, how, starting with an ambivalent misinterpretation, a persistent myth evolved, which obscures the perception of Schwarzkogler's work.